Marc Ecochard
has been making wind instruments since 1983: baroque and classical oboes, recorders, traditional oboes.
The great movement of rediscovery of early music and interpretation on period instruments led to the practice of the old oboe in the early 1970s. The meeting with the American oboist Bruce Haynes was decisive, both in terms of instrumental practice and that of organological and musicological research.
Marc Ecochard has also collected important documentation on European instruments of the seventeenth and eighteenth centuries in the form of records of original instruments in museums and private collections, which allowed him to enrich his catalog with many oboes of different styles. (www.grandhautbois.com).
François Masson
is a graduate of Newark and Sherwood College and the City and Guild of London. He has been restoring and making wind instruments for twenty years by browsing the collections of the various European museums. Specializing in the manufacture of old or historical clarinets, he collaborates very early with Marc Ecochard.